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一 | Filmfare returned with the 6th edition of the Filmfare OTT Awards to honour the finest artistes, directors, storytellers, musicians and technicians from OTT series, web original films and short films. The grand awards ceremony, held on December 15, 2025, saw some of the best names take home the prestigious Black Lady. The Best Series Award went to Black Warrant while Paatal Lok bagged the Best Series, Critics' Award. Monika Panwar won in the Best Actor Series (Female): Drama category for her role in the spine-chilling Khauf while Jaideep Ahlawat won the Best Actor, Series (Male): Drama award for the gritty Paatal Lok. Barun Sobti and Sparsh Shrivastava were joint winners in the Best Actor Series (Male): Comedy category for Raat Jawaan Hai and Dupahiya, respectively. Ananya Panday bagged the Best Actor, Series (Female): Comedy award for for Call Me Bae. Here are the winners of Filmfare OTT Awards 2025, co-powered by Hyundai and Blenders Pride.
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BEST SERIESBEST DIRECTOR, SERIESBEST SERIES (CRITICS')BEST DIRECTOR: SERIES (CRITICS')BEST ACTOR, SERIES (MALE): DRAMABEST ACTOR (MALE), SERIES, CRITICS': DRAMABEST ACTOR, SERIES (FEMALE): DRAMABEST ACTOR (FEMALE), SERIES, CRITICS': DRAMABEST COMEDY (SERIES/SPECIALS)BEST ACTOR, SERIES (MALE): COMEDYBEST ACTOR, SERIES (FEMALE): COMEDYBEST SUPPORTING ACTOR, SERIES (MALE): DRAMABEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMABEST SUPPORTING ACTOR, SERIES (MALE): COMEDYBEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDYBEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL)BEST FILM, WEB ORIGINALBEST DIRECTOR, WEB ORIGINAL FILMBEST WEB ORIGINAL FILM: CRITICS'BEST ACTOR, WEB ORIGINAL FILM (MALE)BEST ACTOR, WEB ORIGINAL FILM (FEMALE)BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILMBEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILMBEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)BEST STORY, SERIESBEST ORIGINAL SCREENPLAY, SERIESBEST ADAPTED SCREENPLAY, SERIESBEST DIALOGUE, SERIESBEST CINEMATOGRAPHER, SERIESBEST PRODUCTION DESIGN, SERIESBEST EDITING, SERIESBEST COSTUME DESIGN, SERIESBEST BACKGROUND MUSIC, SERIESBEST VFX, SERIESBEST SOUND DESIGN, SERIESBEST MUSIC ALBUM, SERIESBEST STORY (WEB ORIGINAL FILM)BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)BEST DIALOGUE (WEB ORIGINAL FILM)BEST CINEMATOGRAPHER (WEB ORIGINAL FILM)BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)BEST EDITING (WEB ORIGINAL FILM)BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)BEST SOUND DESIGN (WEB ORIGINAL FILM)BEST MUSIC ALBUM (WEB ORIGINAL FILM)BEST DEBUT DIRECTOR, SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIESBEST DEBUT DIRECTOR, WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILMBEST SHORT FILM (PEOPLE'S CHOICE)BEST ACTOR (FEMALE), SHORT FILMBEST ACTOR (MALE), SHORT FILMBEST SHORT FILM (FICTION)BEST SHORT FILM (NON-FICTION OR DOCUMENTARY)BEST DIRECTOR, SHORT FILMBEST SERIES
BLACK WARRANT
BEST DIRECTOR, SERIES
VIKRAMADITYA MOTWANE, SATYANSHU SINGH, ARKESH AJAY, AMBIECKA PANDIT AND ROHIN RAVEENDRAN (BLACK WARRANT)
BEST SERIES (CRITICS')
PAATAL LOK SEASON 2
BEST DIRECTOR: SERIES (CRITICS')
ANUBHAV SINHA (IC 814: THE KANDAHAR HIJACK)
NAGESH KUKUNOOR (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE)
BEST ACTOR, SERIES (MALE): DRAMA
JAIDEEP AHLAWAT (PAATAL LOK SEASON 2)
BEST ACTOR (MALE), SERIES, CRITICS': DRAMA
ZAHAN KAPOOR (BLACK WARRANT)
BEST ACTOR, SERIES (FEMALE): DRAMA
MONIKA PANWAR (KHAUF)
BEST ACTOR (FEMALE), SERIES, CRITICS': DRAMA
RASIKA DUGAL (SHEKHAR HOME)
BEST COMEDY (SERIES/SPECIALS)
RAAT JAWAAN HAI (SUMEET VYAS)
BEST ACTOR, SERIES (MALE): COMEDY
BARUN SOBTI (RAAT JAWAAN HAI) SPARSH SHRIVASTAVA (DUPAHIYA)
BEST ACTOR, SERIES (FEMALE): COMEDY
ANANYA PANDAY (CALL ME BAE)
BEST SUPPORTING ACTOR, SERIES (MALE): DRAMA
RAHUL BHAT (BLACK WARRANT)
BEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMA
TILLOTAMA SHOME (PAATAL LOK- SEASON 2)
BEST SUPPORTING ACTOR, SERIES (MALE): COMEDY
VINAY PATHAK (GRAM CHIKITSALAY)
BEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDY
RENUKA SHAHANE (DUPAHIYA)
BEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL)
ANGRY YOUNG MEN (NAMRATA RAO)
BEST FILM, WEB ORIGINAL
GIRLS WILL BE GIRLS
BEST DIRECTOR, WEB ORIGINAL FILM
SHUCHI TALATI (GIRLS WILL BE GIRLS)
BEST WEB ORIGINAL FILM: CRITICS'
BOMAN IRANI (THE MEHTA BOYS)
BEST ACTOR, WEB ORIGINAL FILM (MALE)
ABHISHEK BANERJEE (STOLEN)
BEST ACTOR, WEB ORIGINAL FILM (FEMALE)
SANYA MALHOTRA (MRS)
BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILM
VIKRANT MASSEY (SECTOR 36)
BEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILM
PREETI PANIGRAHI (GIRLS WILL BE GIRLS)
BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)
DEEPAK DOBRIYAL (SECTOR 36)
BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)
KANI KUSRUTI (GIRLS WILL BE GIRLS)
BEST STORY, SERIES
SMITA SINGH (KHAUF)
SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2)
BEST ORIGINAL SCREENPLAY, SERIES
SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2)
BEST ADAPTED SCREENPLAY, SERIES
SATYANSHU SINGH & ARKESH AJAY (BLACK WARRANT)
BEST DIALOGUE, SERIES
ANUBHAV SINHA & TRISHANT SRIVASTAVA (IC 814: THE KANDAHAR HIJACK)
BEST CINEMATOGRAPHER, SERIES
PANKAJ KUMAR (KHAUF)
BEST PRODUCTION DESIGN, SERIES
PRIYA SUHAAS, SURABHI VERMA (FREEDOM AT MIDNIGHT)
BEST EDITING, SERIES
TANYA CHHABRIA (KHAUF)
BEST COSTUME DESIGN, SERIES
AYESHA DASGUPTA (FREEDOM AT MIDNIGHT)
BEST BACKGROUND MUSIC, SERIES
ALOKANANDA DASGUPTA (KHAUF)
BEST VFX, SERIES
PHANTOM FX (KHAUF)
BEST SOUND DESIGN, SERIES
BIGYNA DAHAL (KHAUF)
BEST MUSIC ALBUM, SERIES
AKASHDEEP SENGUPTA (BANDISH BANDITS SEASON 2)
BEST STORY (WEB ORIGINAL FILM)
KARAN TEJPAL, GAURAV DHINGRA, SWAPNIL SALKAR (STOLEN)
BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)
AVINASH SAMPATH & VIKRAMADITYA MOTWANE (CTRL)
BEST DIALOGUE (WEB ORIGINAL FILM)
VIJAY MAURYA (AGNI)
BEST CINEMATOGRAPHER (WEB ORIGINAL FILM)
ISSHAAN GHOSH (STOLEN)
BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)
ACROPOLIS, SUMIT BASU, SNIGDHA BASU & RAJNISH HEDAO (AGNI)
BEST EDITING (WEB ORIGINAL FILM)
JAHAAN NOBLE (CTRL)
BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)
SNEHA KHANWALKAR (CTRL)
BEST SOUND DESIGN (WEB ORIGINAL FILM)
SUSMIT BOB NATH (STOLEN)
BEST MUSIC ALBUM (WEB ORIGINAL FILM)
JUSTIN PRABHAKARAN & ROCHAK KOHLI (AAP JAISA KOI)
BEST DEBUT DIRECTOR, SERIES
PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS)
BREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIES
ANURAG THAKUR (BLACK WARRANT )
BREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIES
LISA MISHRA (CALL ME BAE)
BEST DEBUT DIRECTOR, WEB ORIGINAL FILM
KARAN TEJPAL (STOLEN) ADITYA NIMBALKAR (SECTOR 36)
BREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILM
SHUBHAM VARDHAN (STOLEN)
BREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILM
ARRCHITA AGARWAL (DESPATCH)
BEST SHORT FILM (PEOPLE'S CHOICE)
DIVORCE DIRECTOR: RAAGHAV KANSAL
BEST ACTOR (FEMALE), SHORT FILM
FATIMA SANA SHAIKH FILM: AYESHA
BEST ACTOR (MALE), SHORT FILM
AYAN KHAN FILM: CHASHMA
BEST SHORT FILM (FICTION)
AYESHA DIRECTOR: NIHIT BHAVE
BEST SHORT FILM (NON-FICTION OR DOCUMENTARY)
LANGUR DIRECTOR: HAIDER KHAN
BEST DIRECTOR, SHORT FILM
RENUKA SHAHANE FILM: DHAAVPATTI Also Read: All Inside Pictures From The Filmfare OTT Awards 2025。
二 | 餐厅、理发店、五金店、宠物店，甚至普通球迷的名字，被缩成一个个小格子，印在球队标志性的红色斜带旁。近1000个小格子密密麻麻铺满球衣，也使其迅速火遍社交媒体。
三 | 但在这场前所未有的赞助背后，一支四夺全国冠军的老牌球队，正在为继续生存筹钱。
四 | 穆尼斯帕体育俱乐部，又叫市政体育俱乐部，成立于1935年，最初由利马市政系统工作人员创建，因此长期被称为「Los Ediles（市政人）」。出身「官家」的俱乐部一度有着优秀的成绩，曾在1938年、1940年、1943年和1950年四次夺得秘鲁全国冠军。球队胸前标志性的红色斜带，也成为秘鲁足球历史中辨识度最高的球衣元素之一。好景不长，球队在随后的几十年里，在各级联赛浮沉，直到2014年才重返顶级联赛，随后球队还参加了南美俱乐部杯。最近球队成绩的下滑来得更加猛烈。2023赛季，穆尼斯帕从秘鲁顶级联赛Liga 1降级；次年再度降级，2025年，球队不得不参加新设立的第三级联赛Liga 3。
五 | 连续降级直接压缩了球队的转播曝光、比赛收入和商业价值，主要赞助商也随之离开。与此同时，俱乐部多年积累的债务开始影响正常参赛。秘鲁媒体披露，穆尼斯帕的债务规模已经超过1200万索尔（2400万元），债权人涉及球员、秘鲁足协、球员工会、税务部门和社会保障机构。一家难以保证参赛资格、又已经掉入低级别联赛的俱乐部，很难被大型企业看上并买下昂贵的球衣广告。穆尼斯帕决定换一种「活法」。2025年末，俱乐部与创意广告公司McCann Lima共同推出「Los Mil Sponsors del Muni」，将原本集中出售的球衣赞助权益拆成近1000个小型广告格，向小微企业、个体经营者和普通球迷开放。官网为广告位设计了多个规格。
六 | 最小的位置只有1.5厘米见方，价格为100索尔；最大的位置为4.5厘米乘3厘米，价格为600索尔，其余档位分别为200、300和400索尔。按当下与人民币的汇率来说，只需要花最低200元，一家街边小店或者一名普通球迷，就能成为俱乐部正式认证的赞助商。参与者可以将企业商标或个人姓名印在球衣上，获得俱乐部社交媒体和主场宣传资源，购买门票、官方服装和周边商品时享受专属价格，并获得俱乐部认证的赞助商身份。部分项目材料还显示，参与企业可以成为官方商品销售点，并在商业宣传中使用球队和球员相关资源。这一计划在传播和募资层面迅速取得效果。
七 | 2026年6月，它获得戛纳创意节Entertainment Lions for Sport全场大奖，并在秘鲁Effie奖的「体育与娱乐」和「社区参与」类别获得两项金奖。根据秘鲁Effie公布的项目案例材料，这项计划吸引了数百名小微企业经营者参与，现金及实物资源合计达到75万索尔。然而，这相对于球队的债务只是杯水车薪。不过好消息是，「出圈」之后，该项目也带来了额外的收入。俱乐部负责人在4月接受《Gestión》采访时表示，计划已经间接促成至少五家传统赞助商与球队合作，并带来新的球场广告资源。当下，随着赞助商陆续加入，俱乐部也完成了首版「千家赞助商」球衣的制作。官方社媒显示，2026年7月25日，这件印满商标的球衣通过EOO Sports开启独家预售，预售期间售价约120索尔，持续至8月15日。参与计划的赞助商可以获得35%的专属折扣及其他权益。不过，截至发稿，项目官网仍写着「1000个位置向企业开放」，保留全部价格档位和「我要成为赞助商」的申请表，也没有出现「售罄」或「招募结束」的公告。按照俱乐部最初公布的资金安排，项目收入的70%将用于男足一线队和2026赛季Liga 3的参赛成本，女足、青训和项目运营分别获得10%。但在计划执行期间，俱乐部的参赛资格发生了变化。2026年3月，秘鲁业余足球联赛纪律委员会以俱乐部拖欠秘鲁职业球员工会及秘鲁足协相关款项为由，取消其Liga 3资格。俱乐部随后提出申诉，上诉机构在5月维持原处罚。这意味着，原本占资金用途最大部分的Liga 3参赛计划已经无法执行。按照现有竞赛路径，穆尼斯帕将在2027年参加更低级别的地方赛事，同时仍有机会通过相关杯赛争取重返Liga 3。截至目前，俱乐部尚未说明原定投入男足一线队和Liga 3的资金将如何调整，也没有公布现金收入、实物支持、债务偿还和项目支出的完整明细。这一计划帮助球队获得了新的收入和关注，但穆尼斯帕多年积累的债务、参赛资格和治理问题，仍需要更长期的解决方案。回头来看，这也带来了不少启示。许多中小俱乐部仍然按照顶级球队的方式出售赞助资源：设置少量高价位置，等待一家拥有足够预算的大企业。穆尼斯帕既保留了球衣广告的总价值，同时降低单个参与者的门槛，共同构成一份接近传统赞助规模的收入。
八 | 这些小赞助商分布在社区中，能够形成消费、传播和线下活动网络。球迷支持俱乐部，其他球迷又会优先照顾支持球队的商家，赞助关系因此获得了持续运转的空间。这套思路在足球行业并非完全陌生。巴西俱乐部长期开设多个球衣和比赛装备广告位置。IBOPE Repucom的统计显示，2025年巴西甲级联赛20家俱乐部的比赛服装上，全年共出现164个不同品牌，较2024年增加24%。多赞助商已经成为巴西足球商业结构中的常见状态。J联赛俱乐部则普遍建立了层级更加丰富的本地合作体系。以FC今治为例，商户支付5500日元，就可以加入覆盖一个半赛季的俱乐部支持商店计划。穆尼斯帕本次的赞助协议，其实只是进一步将这些思路集中到了一件球衣上。不过，1000个赞助商同时意味着1000份权益需要交付。
九 | 俱乐部需要维护商户关系、提供宣传资源、完成商业导流，并持续公布资金用途。商户第一次愿意为情怀付费，长期合作仍然取决于实际回报和经营透明度。
十 | 当下，穆尼斯帕已经开始寻找更彻底的解决方案。2026年5月，会员大会一致通过将俱乐部由协会转为股份制公司的方案，并组建委员会评估外部投资。
十一 | 有报道称，一名房地产企业家提出在十年内投资2000万美元，用于偿还债务、建设青训中心和推动球队重返顶级联赛。当下，随着足球变得越来越昂贵，FIFA甚至都开始寻求「资本化」。但足球能够延续至今，也因为总有人愿意在球队最困难的时候走进球场，买下一件球衣，或者为一个只有1.5厘米见方的广告格付钱。
十二 | 1000个赞助商计划没有结束穆尼斯帕的危机，但让我们看到，支撑足球延续下去的，永远只有球迷，和那一份真挚的感情。
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